“Fawzy Al-Aiedy's music is a timeless journey through the culture of different French regions and across the Arab world. The meeting of traditional regional instruments such as the bagpipe, the hurdy-gurdy with the sensitive strings of the oud and percussions, takes us on the trail of traditions and popular festivals. (…) The instruments (…) rock us through our popular cultures while gently bringing us to the land of “a thousand and one nights”.
Camille Hazard - An armchair for the orchestra
“In all simplicity, constructing his performance with simplicity - the better to savor the flavor of Mediterranean traditions - Fawzy Al-Aiedy reveals a musical repertoire of great density. If it is built over the years, in the mesh of civilizations born from Islam and Christianity, it also joins a common heritage which goes beyond these simple frameworks. Because it also appears very modern, calling to live fraternity. Beautiful lesson signed by a great artist from Iraq! ".
The West Courier
“What a beautiful invitation to travel! The Paris-Bagdad Acoustic distilled (…) by Fawzy Al-Aiedy revealed another Iraq. His, that of his dreams, that of his childhood (…). [Fawzy] has so much to give: From Circonspection - text by Verlaine translated into Arabic - to the Roofless - instrumental version - through the Gazelle, a traditional music from Iraq. Dressed in white, he even becomes transparent. Simple dream catcher. We then think of the little prince. Curious, candid and who tells you about his home, "not like from another planet but like from a country". He takes you there by the hand and invites you into a trance. Sweet oriental scents escape (…). The room is under the spell. The rounds of applause follow one another. ".
David Geiss - Latest News from Alsace
“Fawzy Al-Aiedy (…) invites us to follow him in the world of contemporary Arab song and music. And it is worth the detour. Inspired by popular tradition but without completely ignoring his Western experience, he evokes, tells, affirms… More or less directive, therefore, he leads into these gardens which seem to be suspended in the sky. "
Latest News from Alsace
LE PICCOLO - "We are regressing" by Cyrille Planson
DNA - "I was born a musician" by Aurore Bac
TRAD MAGAZINE - Interview by François Saddi
MONDOMIX - Portrait by Magali Bergès
DNA - "Between East and West" - Meeting by C. Andres
DNA - "Music in freedom" - Portrait by Camille Andres - Phalsbourg Theater Festival
POLY - "A city seen by an artist" by Emmanuel Dosda
FOUNOUN - by Achour Ben Fguira & Fathi Doghri
Articles about Radio Bagdad
DNA - "Reflets" by Joêl Isselé - Les Nuits Européennes Festival
DNA - by Vincent Lavigne - Les Nuits Européennes Festival
DNA - By Luliana Salzani-Cantor - Concert in Geispolsheim - May 2017
Articles about Trio / Duo / Solo
DNA - "Airs du Levant at dusk" by Matthieu Hoffstetter - Compli'cité Festival in Huningue
L'ALSACE - Compli'cité Festival in Huningue
DNA - "Musician Without Borders" - Taps Scala
L'ALSACE - "Oriental dreams" ("Mysterious kiss" between oriental and classical music) - "Café Rhénan" to the Dominicans
L'UNION - L'Ardennais - "The musical wedding"
DNA - "A Magic Duo" by Philippe Grussenmeyer at the Tanzmatten in Sélestat
ALSACE - Middle Eastern sweets
L'ALSACE - "Under the fingers of Fawzy" by Claude Golling
DNA - "The Pain of the Sand" by Pamu
L'ALSACE - "Mirage of the Desert"
Articles about Ultimate Prayer
DNA - "A glimmer of love from the Orient"
DNA - The Sacred Days Festival of Strasbourg - by Jacques Fortier
DNA - "Emotion at the rendezvous" by Jacques Fortier
DNA - Words of peace from different horizons
Article in Polish - Gaude Mater Festival
Articles about Exil Mon Amour (meeting)
DNA by Juliana Salzani-Cantor - FestivalStrasbourg Méditerranée
Articles about Paris-Bagdad Grooves
WEST-FRANCE and LE PROGRES - Fawzy Al-Aiedy sets the audience on fire at Les Saulnières
Global Rythm (in english)
Articles about Paris-Bagdad Acoustic
Testimony of a spectator (email received on 01/21/2004):
(I would have liked to write it in Arabic too, but the computer does not allow it). I was last night at the Fawzy Al-Aiedy concert at Le Vésinet (78) and I would simply like to thank him and his musicians for the trip he allowed me to make. It was so beautiful, so fair. A big congratulations for such a great presence on stage! The mixture of nostalgia and sadness for your country which suffers and the great interior joy which seems to animate you touched me very much. Thanks also to Farhat, Marc and Mustapha.
It's been a long time since I had spent such a good evening, felt something vibrate like that there very deep in me. it makes you want to go back on stage and learn to play music from home! I wish you much joy and happiness for the future and hope that one day men will stop hitting each other and give as much love as the one that seems to carry you, dear Fawzy. Thank you again Irène FAURE